Enrico de Iulis

Enrico lives in Rome, is 44 years old, is an art historian and has a degree in glottodidactics. He’s been working as a guide with the most important roman cultural associations and he taught art history and artistic technical language at IED (Higher Institute of Design). He has published several papers about art history and glottodidactics applied to art history.


Nineteen of the twenty-two artworks that were part of the heritage of the ancient church of San Teonisto in Treviso before the Napoleonic plundering of 1810, returned to the Treviso religious complex on Saturday, January 13. Following the suppression of the religious orders, one of the most well-known decisions from the Napoleonic decrees, the mon...

An exhibition in Rome is shedding light on a very interesting aspect of the artistic ferment in Italy and especially in the capital of Italy, which had just become a nation in the last quarter of the nineteenth century. In the halls of Palazzo Venezia, completely modernized and in the new exhibition wing of the Vittoriano, the exhibition explains h...

In 1727 Giandomenico Tiepolo was born, third son of Giambattista Tiepolo, the unrivaled painter of the Venetian Rococo who enchanted all the courts of Europe with his aerial style and very modern design. His mother was Cecilia Guardi, the sister of the Vedutist painters Francesco and Antonio. In short, Giandomenico was a double son of art, a concen...

Nemi is a small volcanic lake in the surroundings of Rome, with a small village that climbs the slopes of Mount Artemisio which takes its name from the Temple of Diana, whose remains are right behind the village. It is not surprising that the ancient Romans wanted to build a temple in this site rich in centuries-old forests, lakes and delightful na...

The approach of the Quirinale, the seat of the President of the Italian Republic, to the many proposals of art, is becoming increasingly varied. The President of the Republic, Sergio Mattarella, announced in one of his first speeches that he wanted to reopen the doors of the Palace to all Italians, and it seems to us that this promise has been fulf...

A series of mysteries animate the life of Venice in the recent months. The first is rooted in the myth of Venice's history: it is the third column of Piazzetta di San Marco.

Salento, the southernmost region of Puglia, has been experiencing an unparalleled revival of tourism for more than ten years. In addition to the two splendid seas that surround it, and the windy and undulating views of the endless rows of olive trees, the other famous beauty of Salento is Baroque.

These years witness important celebrations for art history, and history in general. While it is the centenary of the breakthrough in the First World War and of all its artistic and human collapses, a century before Napoleon bought up works of art in Italy for his Musée Napoleon, created in the first decade of the nineteenth century. The news concer...

Edoardo Tresoldi is probably the rising star of Italian art. Not yet thirty years old, he has been able to attract an attention rarely dedicated to young artists here in Italy. Beware that he then bounced around the world projecting him, according to Forbes, among the most influential artists under 30 in the world. His path was born from the school...

During the last two years, also thanks to the many excavations for major urban works, numerous archaeological finds of great importance have re-emerged in Rome. The C line of the Roman subway has arrived near the historic center and even before entering the circle of the Aurelian Walls, the route excavated by the moles has brought to light several...

In Italy there are hundreds of cathedrals, but very few of these have developed over time a system of preservation, exhibition and enjoyment of the artistic heritage inside the building in a structured and organized way at all levels. San Pietro in Rome, San Marco in Venice and the Duomo of Florence give the possibility to enter in crypts and treas...

The 2017 Venice Biennale d'Arte his entitled "Viva Arte Viva" and is curated by Christine Macel. The setting for this edition is very interesting, because alongside the national pavilions that continue to grow (this year they are 86), nine "cross-pavilions" with particular themes cross both the content offered by the artists selected by the nations...