by Lou Carlozo
Where other Chicago commuters see filthy expressway viaducts or bleak train station walls — that is, if they see them at all — muralist Tony Passero envisions possibilities: outsized felines with piano-key teeth; cubist creatures of red and orange in surrealistic tango; kaleidoscopic owls orbited by Technicolor eggs.
Passero's public artwork enthralls enough to make drivers screech in their tracks to do a double take. Yet to properly assess his work means leaving your assumptions at the nearest exit ramp. For starters, he's self-taught.
Fonte: Fra Noi
