Leonardo da Vinci began painting The Last Supper in 1495, and over five hundred years later it has become one of the most prolific paintings in history. Tickets to see it are treated like gold-dust, and for good reason. Full of symbolism, secrets and speculation, The Last Supper is a painting with a violent, and rich past.
But along with conspiracy theories surrounding Judas’ depiction, spilled salt and whether or not Mary Magdalene is present among the apostles, a more pressing concern takes centre stage: The efforts to restore the quickly disintegrating masterpiece.
