by Chiara Piotto

"Photography is a little bit like a gun: it's neither good nor bad by itself; it all depends on how you use it," says Italian photographer Alessandro Penso, thinking of the many faces of refugees he has captured and published around the world this past year.

Penso's work covering the migrant and refugee crisis throughout Europe was recently awarded Photo Story of the Year by TIME Magazine. Penso sat down with HuffPost Italy to discuss the choices he makes as a photographer.

Read more

Source: http://www.huffingtonpost.com/